Kane, R. (2008, Winter). At the bottom of the world with Bruce Chatwin. North Dakota Quarterly, 75 (1), 141-153.
Kane, R. (2004, Spring). Earth, water, and fire: Elemental representations of feminist force in stories by John Cheever, T. Coraghessan Boyle, and Tobias Wolff. Journal of the Short Story in English, Les Cahiers de la Nouvelle. 42. 111-134.
Kane, R. (1995). The satanic and the moral in Muriel Spark. Negative Capability, 14(3), 213-225.
Kane, R. (1994, Fall). A contemporary anomaly: Bruce Chatwin's pastoral novel, On the Black Hill.” Arkansas Review. 168-192.
Kane, R. (1994, Winter). Ceremony as camouflage: Form and ritual in the life and work of Christopher Isherwood. The Journal of Ritual Studies. 8, 27-52.
Kane, R. (1990). Didactic demons in contemporary British fiction. The University of Mississippi Studies in English, New Series, 8. 36-57.
Kane, R. (1990, Summer). From loins of darkness to loins of pork: Body imagery in Lawrence, Eliot, and Joyce. Recovering Literature: A Journal of Contextualist Criticism. 17, 5-18.
Kane, R. (1989, September) Review of Iris Murdoch. (Modern Critical Views) edited by Harold Bloom. South Atlantic Review. 54(3), 155-158.
Kane, R. (1988). Iris Murdoch, Muriel Spark, and John Fowles: Didactic Demons in Modern Fiction. Teaneck, New Jersey: Fairleigh Dickinson University Press.
Kane, R. (1987, Fall). Positive destruction in the fiction of Flannery O'Connor.” The Southern Literary Journal. 20(1), 45-60.
Kane, R. (1986, Spring). Bergsonian comic theory and crotchet castle. Pennsylvania English. 12(2), 39-43.
Kane, R. (1985, Spring). The European-American conflict in of time and the river: A question of form. Thomas Wolfe Review. 9(1), 18-23.
